Maastricht, 16 October 1852
Paris, January 1st 1927*
 
Joseph Hollman studied cello with Isidore Deswert** and composition with François-Joseph Fétis and Charles Bosselet at the Brussels Conservatoire. Subsequently he continued his cello studies with Léon Jacquard and Karl Davidov. In Paris he became acquainted with Jules Massenet, Edouard Lalo, Eugène Ysaÿe and Camille Saint-Saëns, among others. Later his network came to include Franz Liszt and Richard Wagner. He made concert tours throughout Western Europe, as well as in Scandinavia, Russia and America.
While making his London debut in 1885 he performed with Saint-Saëns as a duo partner. Saint-Saëns dedicated his Concerto in D minor to him and later composed the double concerto La muse et son poète for Ysaÿe and him for his ‘silver jubilee’ in London in 1910. He took up permanent residence in Paris from1916 until his death.
 
A number of Hollman’s recordings have survived to the present day, including one of Saint-Saëns’s The Swan and David Popper’s Gavotte no.2. A recording dating from around 1915 of Chopin’s Nocturne in E flat major in the transcription by Servais can be heard on the website of the Servais Society.
The city of Maastricht pays tribute to Hollman with a bust of the musician on display in the vestibule of the old town hall. The gable of the house in the Spinstraat where he was born bears a text indicating that it is the birthplace of Joseph Hollman 1852-1926* court cellist of His Majesty Willem III.
 
Besides two concertos and other works Hollman wrote a number of short works for cello and piano. They are quintessential works of the Parisian salon culture of the late nineteenth century.
 
Available as a legal download on ISMLP/Petrucci:
(Quatre) Pièces (1884)
Fantaisie sur Carmen [c. 1885]
Quatre Morceaux faciles [1887]
Chanson d’Amour [c. 1888], for voice, cello and piano
Six Morceaux {1892}
Extase [c. 1893]
Vieille Chanson (1894)
Deuxième Mazurka (1894)
Adagietto [c. 1902]
Andante religioso (1902)
Intermezzo [c. 1903]
Le Rouet (1903)
Souvenir de Berck (1910)
 
Other works:
Sérénade [1890]
Romance sans Paroles [?]
Benedictus de Van Helden [?]
Improvisation [composed no later than 1898]
 
Recordings:
Chanson d’Amour, performed by Emma Eames, Joseph Hollman and an unnamed pianist: Emma Eames, the complete Victor recordings (1905-11), Romophone 81001-2.
 
* Hollman’s grave in Maastricht indicates his date of death as 1 January 1927; however, sometimes it is listed as 31 December 1926.
** Many studies (for instance Boettcher/Pape, Das Violoncello) refer to Hollman as being a student of Adrien François Servais. Stephen Sensbach, French Cello Sonatas 1871-1939, even mentions the year 1870 in this context. In this case the lessons must have been spiritualistic seances, considering that Servais had already passed away in 1867 (our thanks to Peter François).
 
(April 2007, updated July 2014)
 

Composers

Alkema, Henk

Alkema, Henk

Harlingen, 20 November 1944
Utrecht, 4 August 2011

Appy, Ernest

Appy, Ernest

Den Haag, 25 oktober 1834
Kansas City, 2 augustus 1895

Badings, Henk

Badings, Henk

Bandoeng (Java), 17 January 1907
Maarheeze, 26 June 1987

Bijvanck, Henk

Bijvanck, Henk

Koedoes (Java), 6 November 1909
Heemstede, 5 September 1969

Bois, Rob du

Bois, Rob du

Amsterdam, 28 May 1934
Haarlem, 28 August 2013

Bouman, Antoon

Bouman, Antoon

‘s Hertogenbosch, 18 October 1854
Wassenaar, 23 March 1906

Bunge, Sas

Bunge, Sas

Amsterdam, 19 July 1924
Utrecht, 17 July 1980

Chapiro, Fania

Chapiro, Fania

Surabaya (Java), 10 June 1926
Hilversum, 6 December 1994

Dijk, Jan van

Dijk, Jan van

Oostzaan, 4 January 1918
Zwjndrecht, 25 November 2016

Dispa, Robert

Dispa, Robert

Sint-Pieters-Leeuw (België), 19 September 1929
Hengelo (O), 6 March 2003

Dresden, Sem

Dresden, Sem

Amsterdam, 20 April 1881
Den Haag, 31 July 1957

Dunkler, Emile

Dunkler, Emile

Den Haag, 20 August 1838 (?)
Den Haag (?), 6 February 1871

Eisma, Will

Eisma, Will

Soengailiat (Bangka, Indonesië), 13 May 1929

Franken, Wim

Franken, Wim

Assen, 7 January 1922
Deventer, 21 April 2012

Frid, Géza

Frid, Géza

Máramarossziget (Hongarije, thans Roemenië), 25 january 1904
Beverwijk, 13 September 1989

Godron, Hugo

Godron, Hugo

Amsterdam, 22 November 1900
Zoelmond, 6 December 1971

Jama, Agnes

Jama, Agnes

Dürnstein (Oostenrijk), 1911
Den Haag, 1993

Kes, Willem

Kes, Willem

Dordrecht, 16 February 1856
München, 22 February 1934

Ketting, Otto

Ketting, Otto

Amsterdam, 3 September 1935
Den Haag, 13 December 2012

Koetsier, Jan

Koetsier, Jan

Amsterdam, 14 August 1911
München, 28 April 2006

Lilien, Ignace

Lilien, Ignace

Lemberg (now Lviv, Ukrain), 29 May 1897
Den Haag, 10 May 1964

Mul, Jan

Mul, Jan

Haarlem, 20 September 1911
Haarlem, 30 December 1971

Orthel, Léon

Orthel, Léon

Roosendaal, 4 October 1905
Den Haag, 6 September 1985

Osieck, Hans

Osieck, Hans

Amsterdam, 25 January 1910
Bloemendaal, 22 June 2000

Oskam, E. W.

Oskam, E. W.

About this composer we know nothing at this moment, except that there is this composition:   Élégie in e flat minor for cello (or viola) and organ or piano duration: t.b.a.; publisher: Albersen, the Hague 19–; dedicated to Charles van Isterdaël; location: Muziekbibliotheek van de Omroep (Netherlands Radio Music Library).  

Ponse, Luctor

Ponse, Luctor

Genève, 11 October 1914
Amsterdam, 17 February 1998

Schäfer, Dirk

Schäfer, Dirk

Rotterdam, 25 November 1873
Amsterdam, 16 February 1931

Stam, Henk

Stam, Henk

Utrecht, 26 September 1922
Suawoude, 9 December 2002

Wesly, Émile

Wesly, Émile

Maastricht, 1 November 1858
Paris (?), 26 March 1926

Witte, G. H.

Witte, G. H.

Utrecht, 16 November 1843
Essen (D), 3 February 1929

Zagwijn, Henri

Zagwijn, Henri

Nieuwer Amstel, 17 July 1878
Den Haag, 23 October 1954